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Vilasini Natyam : ウィキペディア英語版 | Vilasini Natyam Vilasini Natyam or Chinna Melam is an Indian classical dance form, originating in Andhra Pradesh. ==History== The cultural history of the Telugu people indicates the existence of two formal dance streams - One performed by men (''Purusha Sampradaayam'') and the other by women (''Stree Sampradaayam''). References to a Sthree Sampradayam abound in the archival, epigraphic and literary sources, establishing the vital artistic presence of female singer -dancers in temples, royal courts and public theatres, certainly from the 10th century AD. They were referred to by various terms including ''Vilasini'', ''Swamini'' and ''Bhogini'', (colloquially Saani and Bogam) and their troupes termed Chinna Melam or Nattuva Melam. By mid 20th century, these artists were called the ''Kalavantulu'' - a term which derives from ''Kalavati'' (a woman who excels in the arts). When the Anti-Devadasi Dedication Act was passed, the consecration of singer-dancers in temples was banned. It was then that the art of the Kalavantulu began to decline. Saanis and Bhogams were distanced from mainstream social life only thereafter. Vilasini Natyam represents the ritual, ceremonial and dance operatic legacy of this group, a section of whose last living artists have taught dancer Swapnasundari. This art differs in technique from the Purusha sampradayam presently represented by Kuchipudi. Though Vilasini Natyam movements appear quintessentially feminine, its hundred-odd Adavus (dance-units) include the Tandava (vigorous) and Lasya (soft) aspects. Vilasini Natyam's complex Abhinaya is widely admired. Its extensive repertoire comprises Temple dances, Court dances and Dance operas of the hereditary female singer-dancers of Telugu origin. These are vital-requirements of formal Indian dance systems, some of which came to be described as “classical” dance-styles after the advent of the English language and the subsequent application of English terms to describe indigenous traditions.
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